Jan 6, 2007

Scott Snibbe's piece Deep Walls, is open to a wide range of possibilites when it comes to creating a throughline. Consisting of a range of elements, it evoks one to think of questions upon more questions. I enjoy the performative, entertainment, and interactive aspects of the piece as well as the use of time, space, and technology to alter and display the human figure. The three possible throughlines or big ideas I have come up with concerning this piece are:

What is the difference between video in performance space and performance in video space?

What does it mean to sucessfully capture the essence of a person or people?

What does it mean to "speak" to the materials in which you work with?